Table of Contents
• David J. Ferrero, "Nikki Adams and the Limits of Gender Criticism"
• Jacqueline Vaught Brogan, "Hemingway's In Our Time as a Cubist Anatomy"
• Michael Thurston, "Genre, Gender, and Truth in Death in the Afternoon"
• Nancy Bredendick, "Toros célebres: Its Meaning in Death in the Afternoon"
• Toni D. Knott, "One Man Alone: Dimensions of Individuality and Categorization in Hemingway's To Have and Have Not'
• Eric Waggoner, '''Inside the Current': A Taoist Reading of The Old Man and the Sea"
• Frederic J. Svoboda, "Who Was That Black Man?: A Note on Eugene Bullard and The Sun Also Rises"
• Susan M. Catalano, "Henpecked to Heroism: Placing Rip Van Winkle and Francis Macomber in the American Literary Tradition"
• Sherry Lutz Zivley, "The Conclusions of Azuela's The Underdogs and Hemingway's For Whom the Bell Tolls
• Leonard J. Leff, Hemingway and His Conspirators: Hollywood, Scribners, and the Making of American Celebrity Culture, (Review) by Robert W Trogdon.
• Barbara K. Olson, Authorial Divinity in the Twentieth Century: Omniscient Narration in Woolf Hemingway, and Others, (Review) by Lisa Tyler.
• Matthew J. Bruccoli and Robert W Trogdon, Eds. The Only Thing That Counts: The Ernest Hemingway/Maxwell Perkins Correspondence 1925-1947, (Review) by Albert J. DeFazio.
• Current Bibliography by Albert J DeFazio III
• News from the Hemingway Collection by Stephen Plotkin
• Letters
• Bulletin Board